The author follows a three-fold approach; first, he examines ideas and motifs from religious classics in world literature, such as Lao Tzu's Tao Te Ching and The Interior Castle by Teresa of Avila, in order to relate them to aesthetic phenomena. Second, he turns to the statements of artists, such as Leo Tolstoy, Vincent van Gogh, Paul Gauguin, Shih-t'ao, and Wassily Kandinsky, for themes and practices that have religious significance. Third, he analyzes and evaluates the writings of various theoreticians--philosophers, theologians, art critics, sociologists, and psychologists--on the relations between art and religion. Coleman demonstrates, for example, that Martin Buber's I-Thou relationship captures much that is central to art, creativity, and aesthetic experience as well as to religious life.
Among the themes that receive sustained treatment are: the varieties of union in art and religion, the child as a paradigm for artists and saints, and creativity as essential to religion. Finally, the author critically weighs proposed distinctions between art and religion and between the broader categories of the aesthetic and the spiritual, rejecting some and showing how others are compatible with his proposal that the aesthetic and the spiritual are cognate categories.
|Publisher:||State University of New York Press|
|Product dimensions:||6.30(w) x 9.45(h) x (d)|
About the Author
Earle J. Coleman is Associate Professor of Philosophy and Religious Studies at Virginia Commonwealth University. He is the author of several books, including Varieties of Aesthetic Experience and Philosophy of Painting by Shih-t’ao.
Table of Contents
|1.||Art, Religion, and Relations||1|
|2.||The Perceptible, the Imperceptible, and a Total Response||29|
|3.||Receptivity, Omnipresence, and Sui Generis Emotions||49|
|4.||The Self and Union||71|
|5.||Artistic Beauty, Natural Beauty, and Supernatural Beauty||107|
|6.||The Child-State and Revelation||133|
|8.||The Aesthetic versus the Spiritual||183|