Electric Kool-Aid Acid Test (Italian Edition)

Electric Kool-Aid Acid Test (Italian Edition)

by Tom Wolfe

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Electric Kool-Aid Acid Test (Italian Edition) by Tom Wolfe

Si dice che chi ricorda gli anni Sessanta non li ha veramente vissuti. Tom Wolfe non solo li ha vissuti, ma li ha anche saputi raccontare con acume e immediatezza: in questo memorabile e ormai classico reportage pubblicato nel 1968, uno dei più riusciti esempi di "new journalism", lo scrittore ripercorre il "Magical Mystery Tour" di Ken Kesey attraverso gli Stati Uniti, dalla California a New York a bordo del "Furthur", un bizzarro autobus dipinto in colori sgargianti guidato nientemeno che da Neal Cassady, reduce dall'epopea Beat. Tra una manifestazione contro la guerra in Vietnam e un arresto per possesso di marijuana, Kesey, autore di Qualcuno volò sul nido del cuculo, e i suoi Merry Pranksters, un eterogeneo gruppo di artisti, sperimentavano le potenzialità creative delle droghe organizzando festini a base di Lsd noti come Acid Test. Ma soprattutto fomentavano la rivoluzione, trascinando l'America su una via pericolosamente allegra. Taccuino in mano, Tom Wolfe gentilmente declinava l'offerta di Lsd e annotava, raccontando al mondo la nascita della controcultura hippy, dell'arte psichedelica, e di tutto ciò che ha fatto degli anni Sessanta un momento di eccezionale ispirazione.

Product Details

ISBN-13: 9788852044489
Publisher: MONDADORI
Publication date: 10/29/2013
Format: NOOK Book
Sales rank: 625,921
File size: 668 KB

About the Author

Tom Wolfe is the author of a dozen books, among them such contemporary classics as The Bonfire of the Vanities, The Right Stuff, and I Am Charlotte Simmons. He lives in New York City.


New York, New York

Date of Birth:

March 2, 1931

Place of Birth:

Richmond, Virginia


B.A. (cum laude), Washington and Lee University, 1951; Ph.D. in American Studies, Yale University, 1957

Read an Excerpt

Black Shiny FBI Shoes

That's good thinking there, Cool Breeze. Cool Breeze is a kid with three or four days' beard sitting next to me on the stamped metal bottom of the open back part of a pickup truck. Bouncing along. Dipping and rising and rolling on these rotten springs like a boat. Out the back of the truck the city of San Francisco is bouncing down the hill, all those endless staggers of bay windows, slums with a view, bouncing and streaming down the hill. One after another, electric signs with neon martini glasses lit up on them, the San Francisco symbol of "bar"--thousands of neon-magenta martini glasses bouncing and streaming down the hill, and beneath them hundreds, thousands of people wheeling around to look at this freaking crazed truck we're in, their white faces erupting from their lapels like marshmallows--streaming and bouncing down the hill--and God knows they've got plenty to look at.

That's why it strikes me as funny when Cool Breeze says very seriously over the whole roar of the thing, "I don't know--when Kesey gets out I don't know if I can come around the Warehouse."

"Why not?"

"Well, like the cops are going to be coming around like all feisty, and I'm on probation, so I don't know."

Well, that's good thinking there, Cool Breeze. Don't rouse the bastids. Lie low--like right now. Right now Cool Breeze is so terrified of the law he is sitting up in plain view of thousands of already startled citizens wearing some kind of Seven Dwarfs Black Forest gnome's hat covered in feathers and fluorescent colors. Kneeling in the truck, facing us, also in plain view, is a half-Ottawa Indian girl named LoisJennings, with her head thrown back and a radiant look on her face. Also a blazing silver disk in the middle of her forehead alternately exploding with light when the sun hits it or sending off rainbows from the defraction lines in it. And, oh yeah, there's a long-barreled Colt .45 revolver in her hand, only nobody on the street can tell it's a cap pistol as she pegs away, kheeew, kheeew, at the erupting marshmallow faces like Debra Paget in . . . in . . .

--Kesey's coming out of jail!

Two more things they are looking at out there are a sign on the rear bumper reading "Custer Died for Your Sins" and, at the wheel, Lois's enamorado Stewart Brand, a thin blond guy with a blazing disk on his forehead too, and a whole necktie made of Indian beads. No shirt, however, just an Indian bead necktie on bare skin and a white butcher's coat with medals from the King of Sweden on it.

Here comes a beautiful one, attach? case and all, the day-is-done resentful look and the ...shoes--how they shine!--and what the hell are these beatnik ninnies--and Lois plugs him in the old marshmallow and he goes streaming and bouncing down the hill . . .

And the truck heaves and billows, blazing silver red and Day-Glo, and I doubt seriously, Cool Breeze, that there is a single cop in all of San Francisco today who does not know that this crazed vehicle is a guerrilla patrol from the dread LSD.

The cops now know the whole scene, even the costumes, the jesuschrist strung-out hair, Indian beads, Indian headbands, donkey beads, temple bells, amulets, mandalas, god's-eyes, fluorescent vests, unicorn horns, Errol Flynn dueling shirts--but they still don't know about the shoes. The heads have a thing about shoes. The worst are shiny black shoes with shoelaces in them. The hierarchy ascends from there, although practically all lowcut shoes are unhip, from there on up to the boots the heads like, light, fanciful boots, English boots of the mod variety, if that is all they can get, but better something like hand-tooled Mexican boots with Caliente Dude Triple A toes on them. So see the FBI--black--shiny--laced up--FBI shoes--when the FBI finally grabbed Kesey--

There is another girl in the back of the truck, a dark little girl with thick black hair, called Black Maria. She looks Mexican, but she says to me in straight soft Californian:

"When is your birthday?"

"March 2."

"Pisces," she says. And then: "I would never take you for a Pisces."


"You seem too ... solid for a Pisces."

But I know she means stolid. I am beginning to feel stolid. Back in New York City, Black Maria, I tell you, I am even known as something of a dude. But somehow a blue silk blazer and a big tie with clowns on it and ... a ...pair of shiny lowcut black shoes don't set them all to doing the Varsity Rag in the head world in San Francisco. Lois picks off the marshmallows one by one; Cool Breeze ascends into the innards of his gnome's hat; Black Maria, a Scorpio herself, rummages through the Zodiac; Stewart Brand winds it through the streets; paillettes explode--and this is nothing special, just the usual, the usual in the head world of San Francisco, just a little routine messing up the minds of the citizenry en route, nothing more than psyche food for beautiful people, while giving some guy from New York a lift to the Warehouse to wait for the Chief, Ken Kesey, who is getting out of jail.

About all I knew about Kesey at that point was that he was a highly regarded 31-year-old novelist and in a lot of trouble over drugs. He wrote One Flew Over the Cuckoo's Nest (1962), which was made into a play in 1963, and Sometimes a Great Notion (1964). He was always included with Philip Roth and Joseph Heller and Bruce Jay Friedman and a couple of others as one of the young novelists who might go all the way. Then he was arrested twice for possession of marijuana, in April of 1965 and January of 1966, and fled to Mexico rather than risk a stiff sentence. It looked like as much as five years, as a second offender. One day I happened to get hold of some letters Kesey wrote from Mexico to his friend Larry McMurtry, who wrote Horseman, Pass By, from which the movie Hud was made. They were wild and ironic, written like a cross between William Burroughs and George Ade, telling of hideouts, disguises, paranoia, fleeing from cops, smoking joints and seeking satori in the Rat lands of Mexico. There was one passage written George Ade-fashion in the third person as a parody of what the straight world back there in the U.S.A. must think of him now:

"In short, this young, handsome, successful, happily-married-three-lovely-children father was a fear-crazed dope fiend in flight to avoid prosecution on three felonies and god knows how many misdemeanors and seeking at the same time to sculpt a new satori from an old surf--in even shorter, mad as a hatter.

"Once an athlete so valued he had been given the job of calling signals from the line and risen into contention for the nationwide amateur wrestling crown, now he didn't know if he could do a dozen pushups. Once possessor of a phenomenal bank account and money waving from every hand, now it was all his poor wife could do to scrape together eight dollars to send as getaway money to Mexico. But a few years previous he had been listed in Who's Who and asked to speak at such auspicious gatherings as the Wellesley Club in Dah-la and now they wouldn't even allow him to speak at a VDC [Vietnam Day Committee] gathering. What was it that had brought a man so high of promise to so low a state in so short a time? Well, the answer can be found in just one short word, my friends, in just one all-well-used syllable:


"And while it may be claimed by some of the addled advocates of these chemicals that our hero is known to have indulged in drugs before his literary success, we must point out that there was evidence of his literary prowess well before the advent of the so-called psychedelic into his life but no evidence at all of any of the lunatic thinking that we find thereafter!"

To which he added:

"(oh yea, the wind hums time ago--time ago-- the rafter drums and the walls see ...and there's a door to that bird in the sa-a-a-apling sky time ago by-- Oh yeah the surf giggles time ago time ago of under things killed when bad was banished and all the doors to the birds vanished time ago then.)"

Table of Contents


Title Page,
Copyright Notice,
chapter I - Black Shiny FBI Shoes,
chapter II - The Bladder Totem,
chapter III - The Electric Suit,
chapter IV - What Do You Think of My Buddha?,
chapter V - The Rusky-Dusky Neon Dust,
chapter VI - The Bus,
chapter VII - Unauthorized Acid,
chapter VIII - Tootling the Multitudes,
chapter IX - The Crypt Trip,
chapter X - Dream Wars,
chapter XI - The Unspoken Thing,
chapter XII - The Bust,
chapter XIII - The Hell's Angels,
chapter XIV - A Miracle in Seven Days,
chapter XV - Cloud,
chapter XVI - The Frozen Jug Band,
chapter XVII - Departures,
chapter XVIII - Cosmo's Tasmanian Deviltry,
chapter XIX - The Trips Festival,
chapter XX - The Electric Kool-Aid Acid Test,
chapter XXI - The Fugitive,
chapter XXII - ¡Diablo!,
chapter XXIII - The Red Tide,
chapter XXIV - The Mexican Bust,
chapter XXV - Secret Agent Number One,
chapter XXVI - The Cops and Robbers Game,
chapter XXVII - The Graduation,
Also by Tom Wolfe,
About the Author,
Author's Note,
Copyright Page,

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