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Elusive Archives: Material Culture in Formation
By Martin Brückner (Editor), Sandy Isenstadt (Editor), Julian Yates (Contribution by), Wendy Bellion (Contribution by), Julie L. McGee (Contribution by), Torsten Cress (Contribution by), Cindy Ott (Contribution by), Laura E. Helton (Contribution by), Jennifer Van Horn (Contribution by), Kiersten Thamm (Contribution by), Alexandra Ward (Contribution by), Alexander Lawrence Ames (Contribution by), Halina Adams (Contribution by), Rosalie Hooper (Contribution by), Sarah Wasserman (Contribution by), Spencer Wigmore (Contribution by), Catherine Morrissey (Contribution by), Michelle Everidge (Contribution by), Kaila T. Schedeen (Contribution by), Lu Ann De Cunzo (Contribution by), Natalie Elizabeth Wright (Contribution by), Oliver Scheiding (Contribution by), J. Ritchie Garrison (Contribution by), Jesse Kraft (Contribution by), Michael J. Emmons Jr. (Contribution by), Jessica Conrad (Contribution by), Bernard L. Herman (Contribution by)
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By Martin Brückner (Editor), Sandy Isenstadt (Editor), Julian Yates (Contribution by), Wendy Bellion (Contribution by), Julie L. McGee (Contribution by), Torsten Cress (Contribution by), Cindy Ott (Contribution by), Laura E. Helton (Contribution by), Jennifer Van Horn (Contribution by), Kiersten Thamm (Contribution by), Alexandra Ward (Contribution by), Alexander Lawrence Ames (Contribution by), Halina Adams (Contribution by), Rosalie Hooper (Contribution by), Sarah Wasserman (Contribution by), Spencer Wigmore (Contribution by), Catherine Morrissey (Contribution by), Michelle Everidge (Contribution by), Kaila T. Schedeen (Contribution by), Lu Ann De Cunzo (Contribution by), Natalie Elizabeth Wright (Contribution by), Oliver Scheiding (Contribution by), J. Ritchie Garrison (Contribution by), Jesse Kraft (Contribution by), Michael J. Emmons Jr. (Contribution by), Jessica Conrad (Contribution by), Bernard L. Herman (Contribution by)
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The essays that comprise Elusive Archives raise a common question: how do we study material culture when the objects of study are transient, evanescent, dispersed or subjective? Such things resist the taxonomic protocols that institutions, such as museums and archives, rely on to channel their acquisitions into meaningful collections. What holds these disparate things together here are the questions authors ask of them. Each essay creates by means of its method a provisional collection of t...
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