Named after the "divine" Sarah Bernhardt, red-haired Sarah Nour El-Din is "wonderful, irresistibly unique, funny, and amazing," raves Amy Tan. Determined to make of her life a work of art, she tries to tell her story, sometimes casting it as a memoir, sometimes a novel, always fascinatingly incomplete.
"Alameddine's new novel unfolds like a secret... creating a tale...humorous and heartbreaking and always real" (Los Angeles Times). "[W]ith each new approach, [Sarah] sheds another layer of her pretension, revealing another truth about her humanity" (San Francisco Weekly). Raised in a hybrid family shaped by divorce and remarriage, and by Beirut in wartime, Sarah finds a fragile peace in self-imposed exile in the United States. Her extraordinary dignity is supported by a best friend, a grown-up son, occasional sensual pleasures, and her determination to tell her own story. "Like her narrative, [Sarah's] life is broken and fragmented. [But] the bright, strange, often startling pieces...are moving and memorable" (Boston Globe). Reading group guide included.
|Publisher:||Norton, W. W. & Company, Inc.|
|Product dimensions:||5.50(w) x 8.30(h) x 0.80(d)|
About the Author
Rabih Alameddine is the author of the novels Koolaids, I, the Divine, and The Hakawati, the story collection The Perv, and most recently, An Unnecessary Woman. He divides his time between San Francisco and Beirut.
Read an Excerpt
My grandfather named me for the great Sarah Bernhardt. He considered having met her in person the most important event of his life. He talked about her endlessly. By the age of five, I was able to repeat each of his stories verbatim. And I did.
My grandfather was a simple man
At the age of thirteen, the age of discovery, I was moved from an all-girl Catholic school to a boys' school. My father decided I needed to have English, not French, as my primary language, so he transferred me to the best school in the city. It was all boys until I showed up. They wanted to integrate it and I was the guinea pig. What a guinea pig.
I was not the only girl in the school, but I was the only one in my class, all five sections. The four other girls were in the upper classes. It was life-changing culture shock.
In October of 1973, I arrived for my first day of school Nineteen seventy-three was a strange year. I cut my hair short, which drove my stepmother crazy. The Lebanese army went nuts and started bombing the PLO, a harbinger of things to come. I left those wacky Carmelite nuns and entered an American-bankrolled school where I was the only girl in the whole class. I also met Fadi, who changed my life forever.
I had always been a little odd, which people blamed on my mother, but she was not at fault. My sisters were normal. People could not blame my father. My half-sisters turned out to be more normal than normal. Except for being gay, my little brother was probably the most normal of us all. I was the strange one.
When I was little, we had a nanny from the Seychelles named Violet. I remember her showing us a picture of her familyher parents and all her sisters. I pointed out a white girl in the picture and asked Violet who she was. She said that was her sister. Surprised, I asked how that could be. She said, "My mother went astray." That sentence stuck with me. I had always thought my mother "went astray" when conceiving me.
I was different, but not nearly in Fadi's league. We met my first day in class. I arrived ready for battle in jeans and sweatshirt, prepared to fight any boy who dared make fun of me. Fadi did. When I sat behind him, he turned and whispered, "If you're a lesbian, I know just the right bar for you." My mouth dropped. The boys were supposed to be the crème de la crème. How had this boy slipped through?
He was disarming. His face had a combination of mischief and innocence that to this day I find attractive. He was not handsome, but an unearthly intelligence shone in his eyes. Years later they would dull, and after the gendarmes beat him senseless, an eye patch would cover one of them. He became a shell of his former self, a walking shadow. I try to remember him as he was at fourteen, the boy who turned my world upside down.
At the age of thirteen, the age of discovery, I was moved from an all-girls Catholic school to a boys' school. My parents had thought an English education would be better than a French one. It was the first year of integration for the school, and for the first couple of years, I was the only girl in my class. At the school, I met two people who were to become primary influences in my life: Fadi, my first boyfriend, and Dina, my best friend, who appeared at school two years later.
I met Fadi on my first day in class. I sat behind him, where his first question to me was "Are you a lesbian?" My response was swift: "Your mother's cunt, you brother of a whore." The Lebanese dialect is filled with delectable curses, a luscious language all its own, of which I was a true poet, trained by none other than my father. He thought children's use of adult curse words tremendously amusing and trained all his children in the art of insult. I grew up an avid practitioner.
Fadi's reaction was an ear-to-ear grin, hands coming together for one clap, and a look signaling welcome-to-my-world. We became fast friends, at first because he would not leave me alone. The first couple of days, I could not move anywhere without him tagging along, trying to involve me in some activity he was cooking up. We became friends and partners in crime.
Fadi was not a handsome boy, nor did he mature into a handsome man. He had a long, pale face, with medium-long black hair, eternally unkempt, slightly frizzy. Depending on how the sun hit it, you could see single hairs sprouting independently out of the mess. His nose was long, downward, not outward, like the noses in ancient Greek drawings. His chest, skinny and caved in, as if malnourished. He was cute; all in all, not a particularly erotic package, but I always had peculiar tastes, somewhat exotic. Of all the boys in class, and I could have had my pick, being the only girl, he caught my fancy. His smile was his best and most memorable feature. Appearing quite natural, it was actually meticulously studied, its apparent innocence perfected in an attempt to confuse anyone who might suspect him capable of any of the acts he committed. I fell for his façade early on. I assumed he was a gentle, amazingly intelligent, studious boy. He was all that in a way, but as Miss Nahhas, our science teacher, once said, he was also the devil incarnate.
Fadi's intelligence was remarkable. We were both the top of our class, but the difference between first, him, and second, me, was immeasurable. He had an understanding of mathematics that bordered on genius. I excelled at mathematics but I was not even in the same league. My grades were close to his in the nonsciences, English, Arabic, French, history, geography, and civics, simply because he did not care about these subjects. He winged it in all the exams, never studying, and still he got higher grades than I did most of the time. He was a mechanical wiz. The first contraption I saw him make was a motorized bicycle. He took a motor from a scooter, attached it to an old bicycle. I thought it was such a magnificent feat, only to be more impressed when he confessed to having stolen both the bike and the motor. We became soul mates.
Excerpted from I, the Divine by Rabih Alameddine. Copyright © 2001 by Rabih Alameddine. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Most Helpful Customer Reviews
If you were telling the story of your life, where would you begin? With your first breath, your first memory, your first love, your first loss? With the story of your family or your people? Each chapter in "I, The Divine" is a new beginning, each chapter a puzzle piece in the life of Sarah Nour El-Din. The effect is kalaidescopic -- you see hues and shapes and stories that you recognize, but never in the same place twice. By the end, Alameddine forces you to step back and marvel at what a beautiful object you hold in your hands.
This novel is brilliant. It is experimental and fragmentary, but somehow that is also what makes it so authentic. It is written in one of the most believable female voices for a novel written by a male writer, and it has stayed with me over the years. One of my absolute favorites novels.
i, the Divine is one of the best novels i've ever read, it's dealing with the issue of identity crisis, and it was so clear that for a wrier as talented as Alameddien, it was not so hard to write such a well-structuered novel, i really liked it alot, hope you all will read it too. Salam