“The art of the biographer consists specifically in choice. He is not meant to worry about speaking truth; he must create human characteristics amidst the chaos.”Marcel Schwob
Imaginary Lives remains, over 120 years since its original publication in French, one of the secret keys to modern literature: under-recognized, yet a decisive influence on such writers as Apollinaire, Borges, Jarry and Artaud, and more contemporary authors such as Roberto Bolaño and Jean Echenoz. Drawing from historical influences such as Plutarch and Diogenes Laërtius, and authors more contemporary to him such as Thomas De Quincey and Walter Pater, Schwob established the genre of fictional biography with this collection: a form of narrative that championed the specificity of the individual over the generality of history, and the memorable detail of a vice over the forgettable banality of a virtue.
These 22 portraits present figures drawn from the margins of history, from Empedocles the “Supposed God” and Clodia the “Licentious Matron” to the pirate Captain Kidd and the Scottish murderers Messrs. Burke and Hare. In his quest for unique lives, Schwob also formulated an early conception of the anti-hero, and discarded historical figures in favor of their shadows. These “imaginary lives” thus acquaint us with the “Hateful Poet” Cecco Angiolieri instead of his lifelong rival, Dante Alighieri; the would-be romantic pirate Major Stede Bonnet instead of the infamous Blackbeard who would lead him to the gallows; the false confessor Nicolas Loyseleur rather than Joan of Arc whom he cruelly deceived; or the actor Gabriel Spenser in place of the better-remembered Ben Jonson who ran a sword through his lung.
Marcel Schwob (1867–1905) was a scholar of startling breadth and an incomparable storyteller. The secret influence on generations of writers, Schwob was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French).
Most Helpful Customer Reviews
History for arts sake? Frida Kahlo read this while convalescing from the accident that shaped the rest of her life. I read a biography of Kahlo while convalescing from my life and thus discovered Schwob.In 10-page biographies, Schwob depicts "the unique existences of ... priests, criminals, or nobodies." Each is treated with an artistic verve that belies the notion that "minute records of great men or epochs or events of the past are not especially needed." Why say what's been said before? And yet, each of these tales is spun such that one may take them as a warning: beware that for which you ask! In describing one of his subjects, the painter Paolo Uccello, Schwob wrote, he "was not concerned with the reality of things but their multiplicity and the infinity of their lines." So, too Swchob, who chose for us,Empedocles, Supposed God Erostat, IncendiaryCrates, CynicSeptima, EnchantressLucretius, PoetClodia, Impure WomanPetronius, RomancerSufrah, GeomancerFra Dolcino, HereticCecco Angiolieri, Poet of HatePaolo Uccello, PainterNicholas Loyseleur, JudgeKatherine the Lacemaker, Girl of the StreetsAlain the Gentle, SoldierGabriel Spencer, ActorPocahontas, PrincessCyril Tourneur, Tragic PoetWilliam Phips, Treasure HunterCaptain Kidd, PirateWalter Kennedy, Unlettered PirateMajor Stede-Bonnet, Pirate by FancyBurke and Hare, AssassinsAmong them you're sure to find a kindred spirit--or hopefully not.