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It's Not Personal: Post 60s Body Art and Performance

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How does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti-expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art?

Focusing on renowned artists such as Lygia Clark, Marina Abramovic and Angelica Mesiti, Susan Best...