“Lanagan solidifies her reputation as mistress of the strange.”—The Bulletin
Margo Lanagan's electrifying stories take place in worlds not quite our own, and yet each one illuminates what it is to be human. They are stories of yearning for more, and learning to live with what you have. Stories that show the imprint love leaves on us all.
If you think you don't like short fiction, that a story can't have the depth or impact of a novel, then you haven't read Margo Lanagan. A writer this startling and this original doesn't come along very often. So for anyone who likes to be surprised, touched, unsettled, intrigued, or scared senseless, prepare to be dazzled by what a master storyteller can do in a few short pages.
★ “This razor-sharp assemblage thrusts readers . . . into alien, hermetic environments and uncompromisingly idiomatic points of view.”—Booklist, Starred
About the Author
Margo Lanagan is a highly acclaimed writer of novels, short stories, and poetry. Black Juice, her second collection of stories, won a Printz Honor award, and the World Fantasy Award for Best Collection, and was short-listed for the Los Angeles Times Book Prize. She lives in Sydney, Australia.
Read an Excerpt
By Margo Lanagan
Knopf Books for Young ReadersCopyright © 2007 Margo Lanagan
All right reserved.
“Well, at least it’s a fine night,” said Mum.
She looked enormous, but that was mostly the bedding she’d gathered as she hurried out of the hut. Her hair, coming undone from its nighttime tail, was a shock of silver on her shoulders.
“Though how we’ll sleep with this moon I don’t know. It’s like the floodlights at the Cricket Ground. We need to find a place in the shade. Not under these gums, though–if they drop a branch, we’re dead. Down by the creek there, among the casuarinas–”
A bellow interrupted her. Everyone looked up at the hut. Mum walked away down the hill, trailing a corner of the quilt across the moon-white grass. “And a good distance from that. That could go on for hours. Days. Come on, everyone, let’s get settled.”
Dylan followed her slowly. She wasn’t acting right. Anything to do with babies and births, Mum usually took over. She became queenly herself, moving differently, spreading a radiant
peacefulness all around. She paused the world so the baby could land on it safely. Yet here she was, walking away from a woman in labor.
“I think we should get the police,” grumbled Ella, lumbering down the slope. She was pregnant, too; she was what Mumdescribed as about ready to drop. “It’s outrageous. Whoever heard of it? Where did those people escape from–some kind of costume party?” Todd gave an enormous yawn. “Dunno what you’re moaning about–you weren’t asleep anyway. You never sleep, remember? ’S what you’re always saying.”
“I do never sleep,” said Ella. “Not these days. Or nights.” The family moved down the slope ahead, in among the darker trees. They weren’t nearly alarmed enough; that must be part of the magic. Dylan was panting, as if his body were trying to pump out the strong, wet-grass smell of bear and replace it with the proper bush smells of eucalypt and pine.
“Check for sleeping snakes,” Mum said when they reached the creek side, where the ground was flatter. “Bang about a bit.” So everyone stamped around in their pajamas. It would have been funny if Dylan hadn’t been so frightened. Weren’t they worried about that bear? Weren’t they upset about what had happened? It was eerie that they were positioning air mattresses and spreading blankets and plumping pillows. Titch and Edwin were already asleep–look at them. They hadn’t even cried. It was all a dream to them. Dylan pinched the inside of his elbow hard; he rubbed his arm roughly against a tree trunk; he breathed in and stared at the frills of white water along the creek, at the shadow people and the shadow trees, at the millions of stars above among the needly casuarina twigs. He smelled the smoke from the hut chimney. That funny man must be building up the fire. You needed boiling water when a baby was coming. What for? Dylan couldn’t remember.
“Come on, Dylan. Come and settle down between Dad and me. We’ll protect you against jibber-jabbers.” Her smile was the only part of her face that was moonlit. “Jibber-jabbers,” said Dad dozily. “That’s going back a long way. What were those things, anyway, Dyl? You never told us properly; you were too scared even to talk about that nightmare.” Dylan crawled up the valley between them, laid his head in the pillow cleft, and shuddered. “They were these horrible creatures, hundreds of them, about up to my shoulders. They had big heads, big jaws, lots of teeth. Jibbrah-jibbrah, they said, jibbrah-jibbrah-jibbrah-jibbrah. They rushed at me out of the wardrobe and snapped their teeth.” Dad snored gently.
“I still don’t like to think about them,” Dylan said to Mum.
“Don’t, then,” said Mum comfortably. “I don’t know where they came from in the first place–some movie? None of the others had such night terrors.” She closed her eyes with decision. She always knew what to do. Dylan tried to be as firm about closing his. They had rushed at him, jabbering, their eyes glowing yellow among the spines. And then a worse noise, a terrible rough growl, had stopped them, made them cringe, made them jabber quieter, at each other instead of at him. Zing! Someone had drawn a sword, over by the wardrobe. Then a white flash, and a snap, and they’d gone, and Dylan was sitting up in bed staring at the wardrobe and yelling into the empty room. Now, he buried himself deeper between Mum and Dad. The creek rustled and chuckled and blipped. Todd farted musically. Ella said, “To-odd!” “What’s your fuss? We’re out in the open air, aren’t we?” Mum gave a little laugh through her nose, and Dylan let his giggle out.
“Shh, now.” Mum turned on her side so that her face was out of the moonlight. Dylan followed the shadow line of her profile, from silver fringed forehead along to soft under-chin and lace nightie collar. Nothing could seriously go wrong with the world while she hung there, could it? Or while Dad’s back was all up and down his own? He thought he heard a sound from the hut, through the creek noise. He tipped his head so that both ears were free to listen. His body had tensed; he tried to go floppy again.
“Still, Doug . . . ?” said Mum. Dad made an unwilling sound.
“He’s asleep,” whispered Dylan.
Dylan waited for her to speak again, but she didn’t. “What were you going to say to him?” he whispered.
“It is odd, isn’t it?” she whispered.
“It’s very odd. It’s really, really, really–”
“I mean, who are they? How come we just let them– Where did they come from?” Dylan lay there awhile. He breathed and she breathed, and when he thought, from her breath, that she was possibly asleep, he whispered, very quietly, “I found them.”
She lifted her head. “You found them?” He nodded. The moon jiggled in the tree.
“When? On your walk this afternoon? Up on the mountain?” He shook his head. “When we were playing hidey. In among the rocks over there.” And he pointed above his head, across the creek.
“What, they’ve been lying low in the rocks?”
“It wasn’t hard for them to hide,” said Dylan. “They were only this big.” He showed her with his thumb and forefinger.
“Stiff, you know, not moving. On bases, like those soldiers Uncle Brett paints.” He had held the little figures in his hand in the sunlight, waiting for Aaron to find him.
From the Hardcover edition.
Excerpted from Red Spikes by Margo Lanagan Copyright © 2007 by Margo Lanagan. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
In her third collection of short stories, Lanagan again presents a challenging set of short stories. If you're the kind of reader who needs a lot of world building, Lanagan will probably drive you crazy, as she's not much for set up. Her stories just start, and in the space of a few pages, creates a vivid, thought-provoking, occasionally stomach-churning piece of perfection.