Room on the Sea: Three Novellas

by André Aciman

Overview

Three hypnotic novellas about obsessional love, missed connections, and enduring regret by the bestselling author of Call Me by Your Name.

The short fictions in Room on the Sea deal with the heart-wrenching vicissitudes of amorous ambivalence, in André Aciman's inimitably nostalgic, lyric style.

"The Gentleman from Peru" tells the story of the life-changing encounter of a group of friends with an enigmatic solitary guest in a hotel on the Amalfi Coast. "Room on the Sea" is a dialogue between a man and a woman who meet on jury duty and embark on a complex relationship. "Mariana" is a modern retelling of a famous seventeenth-century novel about a love affair between a nun and a swashbuckling, unreliable aristocrat.

No one writes about the ups and downs, the yeses and nos, of contemporary love like Aciman. As The Times (London) writes: ”You don't so much read André Aciman's novels as tumble breathlessly into them.“

Product Details

ISBN-13:	9780374613419
Publisher:	Farrar, Straus and Giroux
Publication date:	06/24/2025
Pages:	272
Product dimensions:	5.30(w) x 8.30(h) x 1.10(d)

About the Author

André Aciman is the New York Times bestselling author of Call Me By Your Name, Out of Egypt, Eight White Nights, False Papers, Alibis, Harvard Square, Enigma Variations, and Find Me. He's the editor of The Proust Project and teaches comparative literature at the Graduate Center of the City University of New York. He lives with his wife in Manhattan.

Editorial Reviews

This exquisite triptych from Aciman explores desire and fate among old friends, new acquaintances, and heartbroken lovers . . . A triumph." —Publishers Weekly (starred review)

“Count on Aciman for stories filled with love, lust, loss, and not a small measure of regret. These beguiling novellas offer up all of that in spades." —Barbara Love, Library Journal (starred review)

From the Publisher

2025-04-04
In search of lost selves.

In three somber novellas, Aciman reprises themes of longing and memory that have informed his previous memoirs and fiction. “The Gentleman From Peru” is Raúl, who befriends eight young Americans at a resort in southern Italy. A healer and prognosticator, he reveals intimate, unsettling details about their lives, and uncanny revelations about himself. All people, he claims, contain multitudes: a shadow-self, a bygone self, a self living elsewhere, a self that beckons to the future. Raúl singles out Margot, the most skeptical of the group, meeting her for lunches, swims, and walks, and taking her to the house where his family spent summers. As Raúl unfurls the mystery of his connection to Margot, though, what might have been a haunting tale is flawed by a convoluted web of coincidence. Similarly, in “Room on the Sea,” a tender encounter between Paul, a retired lawyer, and Catherine, a soon-to-be-retired psychologist, is undermined by stilted interchanges. They meet in New York awaiting jury duty assignments, and over the course of lunches, coffees, walks on the High Line, and visits to art galleries, they confess frustration with their lives. Both in stale marriages, they seem to be, as Paul puts it, “waiting for something unforeseen to come along.” Catherine agrees: “What I find difficult these days,” she admits, “is being who I am, who I want to be, who I could become.” It’s a difficulty shared by the febrile young narrator of “Mariana,” enraged over having been abandoned after an intense, brief affair. She knew her lover was a womanizer, but he awakened in her a newly discovered passion that she does not want to let go. “It’s me I miss,” she writes to him, “the me I didn’t know existed”: a rapturous, ecstatic self.

Uneven meditations on aging, regret, and loss.

Kirkus Reviews