Along the Indigo

by Elsie Chapman

Overview

The town of Glory is famous for two things: businesses that front for seedy, if not illegal, enterprises and the suicides that happen along the Indigo River. Marsden is desperate to escape the “bed-and-breakfast” where her mother works as a prostitute—and where her own fate has been decided—and she wants to give her little sister a better life. But escape means money, which leads Mars to skimming the bodies that show up along the Indigo River. It’s there that she runs into Jude, who has secrets of his own and whose brother’s suicide may be linked to Mars’s own sordid family history. As they grow closer, the two unearth secrets that could allow them to move forward . . . or chain them to the Indigo forever.

Product Details

ISBN-13:	9781683350965
Publisher:	ABRAMS
Publication date:	03/20/2018
Sold by:	Barnes & Noble
Format:	NOOK Book
File size:	2 MB

About the Author

Elsie Chapman grew up in Prince George, British Columbia, before graduating from the University of British Columbia with a bachelor of arts in English literature. She currently lives in Tokyo with her husband and children. She is the author of the young adult thrillers Dualed and Divided.

Editorial Reviews

12/18/2017
In this bleak tale from Chapman (Dualed), high school junior Marsden Eldridge is desperate to escape her hometown of Glory, along with her younger sister, Wynn. To do so, she skims money from the bodies she finds in the nearby covert, purportedly cursed property owned by her family—it draws people from miles around to kill themselves there. The sisters live in a brothel masquerading as a boarding house, where their half-Chinese mother works as a prostitute. Soon, Marsden will be forced into prostitution to help repay her late father’s debts. Then Marsden’s classmate Jude Ambrose shows up, looking for answers about his older brother’s suicide. Marsden and Jude, both mixed-race outsiders, start falling for each other, but Marsden has secrets she fears having uncovered and the mystery of her father’s death to solve. Overlapping subplots abound, though Marsden’s fixation on speaking with the dead is an extraneous one without much traction. The setup is enticingly eerie, but Chapman’s lyrical writing is weighed down by a slow-moving plot. Ages 13–up. Agent: Victoria Marini, Irene Goodman Literary. (Mar.)

Publishers Weekly

"There are twists and turns in the plot, and within the characters, that will surprise readers"

School Library Connection

"The resolution that emerges is cleverly managed, and it gives readers as well as Mars a hopeful reprieve."

The Bulletin of the Center for Children’s Books

"In her prodigious Along the Indigo, Elsie Chapman leaves out nothing of their origins in grief, violence, ghostliness and loss . . . This superlative novel refuses to sugarcoat, does wonders with teenage relationships, and skillfully flips expectations to get at what it means to unbury the hidden. Secrets and mysteries send out tendrils everywhere. Engaging with them is a matter of salvation."

Center for Fiction

"For teens in search of strange premises and moody, atmospheric narratives"

Booklist

"For teens in search of strange premises and moody, atmospheric narratives"

Booklist

03/01/2018
Gr 9 Up—For Marsden, coming of age has meant finding a way to get her and her younger sister, Wynn, out of the town of Glory, by any means necessary. Wages stored up from her job in the kitchen of the brothel where her mother works as a prostitute are supplemented by skimming: taking money from the bodies, largely suicide victims, that appear in her family's darkly wooded land known as "the covert" to the rest of the town. Marsden knows that in time, she and Wynn will be expected to follow in her mother's footsteps; and after her father's body was found in the covert several years earlier, her sole focus has been on escape. It's only when Jude, a boy that she knows remotely from her high school, asks for help finding a box his brother Rigby may have hidden in the covert prior to his suicide that her plans are interrupted. It quickly becomes clear that she and Jude have more in common than both being biracial—Marsden is of Chinese descent and Jude is of African American descent—in a very white town, and an interest in the covert. Chapman's darkly poetic narrative can at times be slow paced but ultimately takes a lyrical turn toward both love story and murder mystery, and leads readers to a satisfying and surprising conclusion. VERDICT A good selection for most thriller shelves.—Joanna Sondheim, Columbia Grammar & Preparatory School, New York City

School Library Journal

2017-12-06
Love, mystery, and tragedy in a small town with a haunted past. Marsden does not want to be a prostitute. She and her sister manage to lie low, working in the kitchen of the boardinghouse that fronts as iron-fisted Nina's brothel. Marsden is multiracial Chinese and looks strikingly similar to her mother, who provides exotic diversions for Nina's largely white clientele. Marsden's desperation to protect her younger sister from the debauchery they live among leads her to skim cash from dead bodies—and in this dark and mysterious tale, dead bodies abound. The covert—the neglected wooded land that is her birthright—captures the imagination of the lost and hopeless. Local folklore and a history of bloodshed lead many to believe that earth from the covert, along the Indigo River, contains magical powers of absolution. Suicide victims with cash in their pockets are a common occurrence in the covert, where Marsden runs into Jude, a boy from school who is also "as mixed as she was, except black to her Chinese." Jude is there to look for clues to his older brother's suicide, and Marsden reluctantly agrees to help. The story builds on eerie developments and real-world fears as Nina blackmails Marsden to turn her first trick. The book is captivating and unearthly, with beautifully poignant writing and elegantly drawn characters. However, resolutions are disappointingly mundane, leaving readers craving more poetry and magic. Fans of fabulism will love this book but may find the denouement unsatisfyingly prosaic. (Fabulism. 12-16)

Kirkus Review

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