Beasts

by Joyce Carol Oates

Overview

A young woman tumbles into a nightmare of decadent desire and corrupted innocence in a superb novella of suspense from National Book Award–winner Joyce Carol Oates. Art and arson, the poetry of D. H. Lawrence and pulp pornography, hero-worship and sexual debasement, totems and taboos mix and mutate into a startling, suspenseful tale of how a sunny New England college campus descends into a lurid nightmare. "A small gem.... Oates does not disappoint, nor does she waste a word."—The Washington Post Book World Oates often takes on sensational subject matter ... yet rarely has she done so with the churningly quiet understatement of ... Beasts."—Los Angeles Times "A cunning fusion of Gothic romance and psychological horror story, and one of her best recent books."—Kirkus Reviews "Oates's new novel is a slim one, but it packs a serious punch."—Associated Press "Delicious ... Beasts is something of a jeu d'esprit noir.... The novella length is exactly right for it."—The New York Review of Books

Product Details

ISBN-13:	9780786711031
Publisher:	Hachette Books
Publication date:	01/06/2003
Series:	Otto Penzler Books
Edition description:	Reprint
Pages:	160
Sales rank:	932,867
Product dimensions:	5.25(w) x 7.50(h) x (d)

About the Author

Joyce Carol Oates, one of America’s most honored authors, has written such critically praised and popular novels as We Were the Mulvaneys, Blonde, and Black Water. She has won the National Book Award for Them, as well as the PEN/Malamud Award for Excellence in Short Fiction, and is a member of the American Academy of Arts and Letters. She lives in Princeton, New Jersey.

Hometown:

Princeton, New Jersey

Date of Birth:

June 16, 1938

Place of Birth:

Lockport, New York

Education:

B.A., Syracuse University, 1960; M.A., University of Wisconsin, 1961

Editorial Reviews

In her new novella, the prolific Oates paints a riveting picture of a time when drugs were viewed with a more tolerant eye and sexual promiscuity was the order of the day. The story revolves around a group of college girls in the 1970s and their obsessive preoccupation with charismatic anti-establishment English professor Andre Harrow and his artist wife, Dorcas. The two stand out in their small New England college town, and they revel in their difference, which draws Andre's female students to him like bees to honey. A talented and infatuated junior, Gillian is relegated to the shadows until Andre picks her out as one of his "special" girls. What follows is a disturbing look at the power of obsession and the abuse of trust. The story, though implausible in today's world, is quite believable in its 1970s setting. It's a quick read at 128 pages but suspenseful and satisfying to the end, with Oates once again displaying her amazing flair for complex and slightly bizarre characters. Recommended for all fiction collections. Caroline Mann, Univ. of Portland Lib., OR Copyright 2001 Cahners Business Information.

Library Journal

Oates's newest novella is a tale of academe similar to (though darker than) such earlier books as The Hungry Ghosts (1974) and American Appetites (1989). The story begins and ends in Paris, in the Louvre, where protagonist Gillian Brauer observes a garishly expressionistic "totem" that triggers buried memories of her college years. Oates thereafter moves backward and forward in time and among a catastrophic 1975 house fire in a college community in Massachusetts's Berkshire Mountains, the events leading up to it, and Gillian's conflicted feelings about the couple who "adopted" her, and her own inchoate sensibility and sexuality. At Catamount College for Women, in the wake of the permissive, volatile late 1960s, Gillian falls under the spell of her literature professor Andre Harrow, a charismatic (if vaguely goatish) mentor who chants D.H. Lawrence's "voluptuous" verses to his poetry-writing seminar students, and teasingly addresses withdrawn Gillian as "Philomela" (a telling allusion to Ovid's Metamorphoses). Meanwhile, a series of small fires set by an uncaught arsonist terrifies Catamount's students (two of whom happen to be named Sibyl and Cassandra)-as Gillian finds herself attracted as well to Harrow's sultry French wife Dorcas, a sculptress whose powerfully animistic, "primitive and dramatic" half-human figures hewed out of wood hint at elemental experiences Gillian is only beginning to imagine. Their correlative is Andre's classroom mantra "Go deeper. Go for the jugular." As Gillian becomes the latest of a number of students made the Harrows' sexual and domestic slaves, Andre's imperative that artists must acknowledge their pagan, animal natures and act accordingly is ironicallyfulfilled as is the motto engraved on Dorcas's creations: "WE ARE BEASTS AND THIS IS OUR CONSOLATION." It's not subtle, but it works. Whenever Oates (Middle Age, p. 970, etc.) composes at this length, she doesn't pad or overwrite. The result is a cunning fusion of Gothic romance and psychological horror story, and one of her best recent books.

Kirkus Reviews