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Like a game of telephone gone haywire, these mischievous mishearings and homophonic translations remix a classic of 20th Century American poetry.
C’mon, take the E pill (is it estrogen? ecstasy? something else entirely?). E practices mishearing as a bodily reworking of language alongside the poet’s hormonal transition, stretching the upper limits of homophonic translation to unleash the unexpected queer resonances of Louis Zukofsky’s “A.” E alchemizes mishearing into a political possibility ...






















