Probabilistic Aesthetics of the Avant-Gardes: Predictive Arts

Konrad Wojnowski argues that the probabilistic revolution, while recognized and investigated by historians of science, has been largely overlooked in the field of art. He shows that the idea that one can perceive and comprehend reality in terms of shifting probabilities was clearly present in the work of many avant—garde artists working in Europe and North America.
Exploring the probabilistic aspects of the avant—garde allows him to establish a dialogue between scientific and artistic forms...