Rewired: The Post-Cyberpunk Anthology

Rewired: The Post-Cyberpunk Anthology

Rewired: The Post-Cyberpunk Anthology

Rewired: The Post-Cyberpunk Anthology

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Cyberpunk is dead. The revolution has been co-opted by half-assed heroes, overclocked CGI, and tricked-out shades. Once radical, cyberpunk is now nothing more than a brand.

Time to stop flipping the channel.

These sixteen extreme stories reveal a government ninja routed by a bicycle repairman, the inventor of digitized paper hijacked by his college crush, a dead boy trapped in a warped storybook paradise, and the queen of England attacked with the deadliest of forbidden technology: a working modem. You’ll meet Manfred Macx, renegade meme-broker, Red Sonja, virtual reality sex-goddess, and Felix, humble sys-admin and post-apocalyptic hero.

Editors James Patrick Kelly and John Kessel (Feeling Very Strange: The Slipstream Anthology) have united cyberpunk visionaries William Gibson, Bruce Sterling, and Pat Cadigan with the new post-cyberpunk vanguard, including Cory Doctorow, Charles Stross, and Jonathan Lethem. Including a canon-establishing introduction and excerpts from a hotly contested online debate, Rewired is the first anthology to define and capture the crackling excitement of the post-cyberpunks.

From the grittiness of Mirrorshades to the Singularity and beyond, it’s time to revive the revolution.

Product Details

ISBN-13: 9781892391537
Publisher: Tachyon Publications
Publication date: 10/01/2007
Edition description: New Edition
Pages: 424
Product dimensions: 6.08(w) x 8.96(h) x 1.20(d)

About the Author

James Patrick Kelly is the Hugo, Nebula, and Italia award—winning author of Burn, Think Like a Dinosaur, and Wildlife. He is a member of the faculty of the Stonecoast Creative Writing MFA Program at the University of Southern Maine. He has co-edited a series of anthologies with John Kessel, described by the Encyclopedia of Science Fiction as “each surveying with balance and care a potentially disputed territory within the field.” Kelly is the technology columnist for Asimov’s Science Fiction magazine and the publisher of the e-book ’zine Strangeways.

John Kessel is a Nebula, Sturgeon, and Locus award winner and the author of Corrupting Dr. Nice, Good News From Outer Space, and The Pure Product. He teaches courses in science fiction, fantasy, and fiction writing at North Carolina State University. His criticism has appeared in Foundation, the Los Angeles Times Book Review, the New York Review of Science Fiction, and Science Fiction Age.

Read an Excerpt


the post-cyberpunk anthology

By James Patrick Kelly, John Kessel

Tachyon Publications

Copyright © 2007 James Patrick Kelly & John Kessel
All rights reserved.
ISBN: 978-1-892391-62-9


Bicycle Repairman

Bruce Sterling

Accompanying CP'S fascination with the "street" came the assumption that, outside of middle-class social structures, new things can be done. Here Chairman Bruce himself observes that the middle class exerts its pull and the outsiders move toward the ordinary. Ten years after the conclusion of this story Lyle will be running a business and Deep Eddy will be a media commentator, both married (and probably divorced) with children.

This PCP story consciously reverses many cyberpunk clichés: it abjures sex and gives the hero a mother. Most amusing of all, Sterling dismantles the myth of the ninja black ops secret agent, a character helpless here in the face of a streetwise community and a social worker.

Repeated tinny banging woke Lyle in his hammock. Lyle groaned, sat up, and slid free into the tool-crowded aisle of his bike shop.

Lyle hitched up the black elastic of his skintight shorts and plucked yesterday's grease-stained sleeveless off the workbench. He glanced blearily at his chronometer as he picked his way toward the door. It was 10:04.38 in the morning, June 27, 2037.

Lyle hopped over a stray can of primer and the floor boomed gently beneath his feet. With all the press of work, he'd collapsed into sleep without properly cleaning the shop. Doing custom enameling paid okay, but it ate up time like crazy. Working and living alone was wearing him out.

Lyle opened the shop door, revealing a long sheer drop to dusty tiling far below. Pigeons darted beneath the hull of his shop through a soot-stained hole in the broken atrium glass, and wheeled off to their rookery somewhere in the darkened guts of the high-rise.

More banging. Far below, a uniformed delivery kid stood by his cargo tricycle, yanking rhythmically at the long dangling string of Lyle's spot-welded doorknocker.

Lyle waved, yawning. From his vantage point below the huge girders of the cavernous atrium, Lyle had a fine overview of three burnt-out interior levels of the old Tsatanuga Archiplat. Once elegant handrails and battered pedestrian overlooks fronted on the great airy cavity of the atrium. Behind the handrails was a three-floor wilderness of jury-rigged lights, chicken coops, water tanks, and squatters' flags. The fire-damaged floors, walls, and ceilings were riddled with handmade descent-chutes, long coiling staircases, and rickety ladders.

Lyle took note of a crew of Chattanooga demolition workers in their yellow detox suits. The repair crew was deploying vacuum scrubbers and a high-pressure hose-off by the vandal-proofed western elevators of Floor 34. Two or three days a week, the city crew meandered into the damage zone to pretend to work, with a great hypocritical show of sawhorses and barrier tape. The lazy sons of bitches were all on the take.

Lyle thumbed the brake switches in their big metal box by the flywheel. The bike shop slithered, with a subtle hiss of cable-clamps, down three stories, to dock with a grating crunch onto four concrete-filled metal drums.

The delivery kid looked real familiar. He was in and out of the zone pretty often. Lyle had once done some custom work on the kid's cargo trike, new shocks and some granny-gearing as he recalled, but he couldn't remember the kid's name. Lyle was terrible with names. "What's up, zude?"

"Hard night, Lyle?"

"Just real busy."

The kid's nose wrinkled at the stench from the shop. "Doin' a lot of paint work, huh?" He glanced at his palmtop notepad. "You still taking deliveries for Edward Dertouzas?"

"Yeah. I guess so." Lyle rubbed the gear tattoo on one stubbled cheek. "If I have to."

The kid offered a stylus, reaching up. "Can you sign for him?"

Lyle folded his bare arms warily. "Naw, man, I can't sign for Deep Eddy. Eddy's in Europe somewhere. Eddy left months ago. Haven't seen Eddy in ages."

The delivery kid scratched his sweating head below his billed fabric cap. He turned to check for any possible sneak-ups by snatch-and-grab artists out of the squatter warrens. The government simply refused to do postal delivery on the Thirty-second, Thirty-third, and Thirty-fourth floors. You never saw many cops inside the zone, either. Except for the city demolition crew, about the only official functionaries who ever showed up in the zone were a few psychotically empathetic NAFTA social workers.

"I'll get a bonus if you sign for this thing." The kid gazed up in squint-eyed appeal. "It's gotta be worth something, Lyle. It's a really weird kind of routing, they paid a lot of money to send it just that way."

Lyle crouched down in the open doorway. "Let's have a look at it."

The package was a heavy shockproof rectangle in heat-sealed plastic shrink-wrap, with a plethora of intra-European routing stickers. To judge by all the overlays, the package had been passed from postal system to postal system at least eight times before officially arriving in the legal custody of any human being. The return address, if there had ever been one, was completely obscured. Someplace in France, maybe.

Lyle held the box up two-handed to his ear and shook it. Hardware.

"You gonna sign, or not?"

"Yeah." Lyle scratched illegibly at the little signature panel, then looked at the delivery trike. "You oughta get that front wheel trued."

The kid shrugged. "Got anything to send out today?"

"Naw," Lyle grumbled, "I'm not doing mail-order repair work anymore; it's too complicated and I get ripped off too much."

"Suit yourself." The kid clambered into the recumbent seat of his trike and pedaled off across the heat-cracked ceramic tiles of the atrium plaza.

Lyle hung his hand-lettered Open for Business sign outside the door. He walked to his left, stamped up the pedaled lid of a jumbo garbage can, and dropped the package in with the rest of Dertouzas's stuff.

The can's lid wouldn't close. Deep Eddy's junk had finally reached critical mass. Deep Eddy never got much mail at the shop from other people, but he was always sending mail to himself. Big packets of encrypted diskettes were always arriving from Eddy's road jaunts in Toulouse, Marseilles, Valencia, and Nice. And especially Barcelona. Eddy had sent enough gigabyte-age out of Barcelona to outfit a pirate data-haven.

Eddy used Lyle's bike shop as his safety-deposit box. This arrangement was okay by Lyle. He owed Eddy; Eddy had installed the phones and virching in the bike shop, and had also wangled the shop's electrical hookup. A thick elastic curly-cable snaked out the access-crawlspace of Floor 35, right through the ceiling of Floor 34, and directly through a ragged punch-hole in the aluminum roof of Lyle's cable-mounted mobile home. Some unknown contact of Eddy's was paying the real bills on that electrical feed. Lyle cheerfully covered the expenses by paying cash into an anonymous post-office box. The setup was a rare and valuable contact with the world of organized authority.

During his stays in the shop, Eddy had spent much of his time buried in marathon long-distance virtuality sessions, swaddled head to foot in lumpy strap-on gear. Eddy had been painfully involved with some older woman in Germany. A virtual romance in its full-scale thumping, heaving, grappling progress was an embarrassment to witness. Under the circumstances, Lyle wasn't too surprised that Eddy had left his parents' condo to set up in a squat.

Eddy had lived in the bicycle repair shop, off and on, for almost a year. It had been a good deal for Lyle, because Deep Eddy had enjoyed a certain clout and prestige with the local squatters. Eddy had been a major organizer of the legendary Chattanooga Wende of December '35, a monster street-party that had climaxed in a spectacular looting-and-arson rampage that had torched the three floors of the Archiplat.

Lyle had gone to school with Eddy and had known him for years; they'd grown up together in the Archiplat. Eddy Dertouzas was a deep zude for a kid his age, with political contacts and heavy-duty network connections. The squat had been a good deal for both of them, until Eddy had finally coaxed the German woman into coming through for him in real life. Then Eddy had jumped the next plane to Europe.

Since they'd parted friends, Eddy was welcome to mail his European data-junk to the bike shop. After all, the disks were heavily encrypted, so it wasn't as if anybody in authority was ever gonna be able to read them. Storing a few thousand disks was a minor challenge, compared to Eddy's complex, machine-assisted love life.

After Eddy's sudden departure, Lyle had sold Eddy's possessions, and wired the money to Eddy in Spain. Lyle had kept the screen TV, Eddy's mediator, and the cheaper virching helmet. The way Lyle figured it—the way he remembered the deal— any stray hardware of Eddy's in the shop was rightfully his, for disposal at his own discretion. By now it was pretty clear that Deep Eddy Dertouzas was never coming back to Tennessee. And Lyle had certain debts.

Lyle snicked the blade from a roadkit multitool and cut open Eddy's package. It contained, of all things, a television cable settop box. A laughable infobahn antique. You'd never see a cablebox like that in NAFTA; this was the sort of primeval junk one might find in the home of a semiliterate Basque grandmother, or maybe in the armed bunker of some backward Albanian.

Lyle tossed the archaic cablebox onto the beanbag in front of the wallscreen. No time now for irrelevant media toys; he had to get on with real life. Lyle ducked into the tiny curtained privy and urinated at length into a crockery jar. He scraped his teeth with a flossing spudger and misted some fresh water onto his face and hands. He wiped clean with a towelette, then smeared his armpits, crotch, and feet with deodorant.

Back when he'd lived with his mom up on Floor 41, Lyle had used old-fashioned antiseptic deodorants. Lyle had wised up about a lot of things once he'd escaped his mom's condo. Nowadays, Lyle used a gel roll-on of skin-friendly bacteria that greedily devoured human sweat and exuded as their metabolic byproduct a pleasantly harmless reek rather like ripe bananas. Life was a lot easier when you came to proper terms with your microscopic flora.

Back at his workbench, Lyle plugged in the hot plate and boiled some Thai noodles with flaked sardines. He packed down breakfast with 400 cc's of Dr. Breasaire's Bioactive Bowel Putty. Then he checked last night's enamel job on the clamped frame in the workstand. The frame looked good. At three in the morning, Lyle was able to get into painted detail work with just the right kind of hallucinatory clarity.

Enameling paid well, and he needed the money bad. But this wasn't real bike work. It lacked authenticity. Enameling was all about the owner's ego—that was what really stank about enameling. There were a few rich kids up in the penthouse levels who were way into "street aesthetic," and would pay good money to have some treadhead decorate their machine. But flash art didn't help the bike. What helped the bike was frame alignment and sound cable-housings and proper tension in the derailleurs.

Lyle fitted the chain of his stationary bike to the shop's flywheel, straddled up, strapped on his gloves and virching helmet, and did half an hour on the 2033 Tour de France. He stayed back in the pack for the uphill grind, and then, for three glorious minutes, he broke free from the domestiques in the peloton and came right up at the shoulder of Aldo Cipollini. The champion was a monster, posthuman. Calves like cinderblocks. Even in a cheap simulation with no full-impact bodysuit, Lyle knew better than to try to take Cipollini.

Lyle devirched, checked his heart-rate record on the chronometer, then dismounted from his stationary trainer and drained a half-liter squeezebottle of antioxidant carbo refresher. Life had been easier when he'd had a partner in crime. The shop's flywheel was slowly losing its storage of inertia power these days, with just one zude pumping it.

Lyle's disastrous second roommate had come from the biking crowd. She was a criterium racer from Kentucky named Brigitte Rohannon. Lyle himself had been a wannabe criterium racer for a while, before he'd blown out a kidney on steroids. He hadn't expected any trouble from Brigitte, because Brigitte knew about bikes, and she needed his technical help for her racer, and she wouldn't mind pumping the flywheel, and besides, Brigitte was lesbian. In the training gym and out at racing events, Brigitte came across as a quiet and disciplined little politicized treadhead person.

Life inside the zone, though, massively fertilized Brigitte's eccentricities. First, she started breaking training. Then she stopped eating right. Pretty soon the shop was creaking and rocking with all-night girl-on-girl hot-oil sessions, which degenerated into hooting pill-orgies with heavily tattooed zone chyx who played klaxonized bongo music and beat each other up, and stole Lyle's tools. It had been a big relief when Brigitte finally left the zone to shack up with some well-to-do admirer on Floor 37. The debacle had left Lyle's tenuous finances in ruin.

Lyle laid down a new tracery of scarlet enamel on the bike's chainstay, seat post, and stem. He had to wait for the work to cure, so he left the workbench, picked up Eddy's settopper and popped the shell with a hexkey. Lyle was no electrician, but the insides looked harmless enough: lots of bit-eating caterpillars and cheap Algerian silicon.

He flicked on Eddy's mediator, to boot the wallscreen. Before he could try anything with the cablebox, his mother's mook pounced upon the screen. On Eddy's giant wallscreen, the mook's waxy, computer-generated face looked like a plump satin pillowcase. Its bowtie was as big as a racing shoe.

"Please hold for an incoming vidcall from Andrea Schweik of Carnac Instruments," the mook uttered unctuously.

Lyle cordially despised all low-down, phone-tagging, artificially intelligent mooks. For a while, in his teenage years, Lyle himself had owned a mook, an off-the-shelf shareware job that he'd installed in the condo's phone. Like most mooks, Lyle's mook had one primary role: dealing with unsolicited phone calls from other people's mooks. In Lyle's case these were the creepy mooks of career counselors, school psychiatrists, truancy cops, and other official hindrances. When Lyle's mook launched and ran, it appeared online as a sly warty dwarf that drooled green ichor and talked in a basso grumble.

But Lyle hadn't given his mook the properly meticulous care and debugging that such fragile little constructs demanded, and eventually his cheap mook had collapsed into artificial insanity.

Once Lyle had escaped his mom's place to the squat, he had gone for the low-tech gambit and simply left his phone unplugged most of the time. But that was no real solution. He couldn't hide from his mother's capable and well-financed corporate mook, which watched with sleepless mechanical patience for the least flicker of video dial-tone off Lyle's number.

Lyle sighed and wiped the dust from the video nozzle on Eddy's mediator.

"Your mother is coming online right away," the mook assured him.

"Yeah, sure," Lyle muttered, smearing his hair into some semblance of order.

"She specifically instructed me to page her remotely at any time for an immediate response. She really wants to chat with you, Lyle."

"That's just great." Lyle couldn't remember what his mother's mook called itself. "Mr. Billy," or "Mr. Ripley," or something else really stupid.

"Did you know that Marco Cengialta has just won the Liege Summer Classic?"

Lyle blinked and sat up in the beanbag. "Yeah?"

"Mr. Cengialta used a three-spoked ceramic wheel with internal liquid weighting and buckyball hubshocks." The mook paused, politely awaiting a possible conversational response. "He wore breathe-thru kevlar microlock cleatshoes," it added.

Lyle hated the way a mook cataloged your personal interests and then generated relevant conversation. The machine-made intercourse was completely unhuman and yet perversely interesting, like being grabbed and buttonholed by a glossy magazine ad. It had probably taken his mother's mook all of three seconds to snag and download every conceivable statistic about the summer race in Liege.

His mother came on. She'd caught him during lunch in her office. "Lyle?"

"Hi, Mom." Lyle sternly reminded himself that this was the one person in the world who might conceivably put up bail for him. "What's on your mind?"

"Oh, nothing much, just the usual." Lyle's mother shoved aside her platter of sprouts and tilapia. "I was idly wondering if you were still alive."


Excerpted from Rewired by James Patrick Kelly, John Kessel. Copyright © 2007 James Patrick Kelly & John Kessel. Excerpted by permission of Tachyon Publications.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents


INTRODUCTION: Hacking Cyberpunk | James Patrick Kelly & John Kessel,
Sterling-Kessel Correspondence,
Bruce Sterling | "Bicycle Repairman",
Gwyneth Jones | "Red Sonja and Lessingham in Dreamland",
Jonathan Lethem | "How We Got in Town and out Again",
Greg Egan | "Yeyuka",
Pat Cadigan | "The Final Remake of The Return of Little Latin Larry with a Completely Remastered Soundtrack and the Original Audience",
William Gibson | "Thirteen Views of a Cardboard City",
David Marusek | "The Wedding Album",
Walter Jon Williams | "Daddy's World",
Michael Swanwick | "The Dog Said Bow-Wow",
Charles Stross | "Lobsters",
Paul Di Filippo | "What's Up, Tiger Lily?",
Christopher Rowe | "The Voluntary State",
Elizabeth Bear | "Two Dreams on Trains",
Paolo Bacigalupi | "The Calorie Man",
Mary Rosenblum | "Search Engine",
Cory Doctorow | "When Sysadmins Ruled the Earth",

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