Rival Modernities: Fin-de-Siècle Celebrity and the United States in the French National Imagination

What do Buffalo Bill and Gustave Eiffel have in common? These celebrities are both part of Venita Datta's analysis of competing notions of modernity and French-American relations at the turn of the twentieth century. Fin-de-siècle France saw itself as the premier modern country. A pioneer in the aviation and cinema industries, its capital Paris was home to the cultural avant-garde. Nonetheless, the French harbored ambivalent feelings toward modernity and expressed their critiques of a certa...