The Odd Women

The Odd Women

by George Gissing

Paperback

$37.99
View All Available Formats & Editions
Want it by Wednesday, November 21 Order now and choose Expedited Shipping during checkout.

Product Details

ISBN-13: 9781729515167
Publisher: CreateSpace Publishing
Publication date: 10/28/2018
Pages: 788
Product dimensions: 6.00(w) x 9.00(h) x 1.57(d)

About the Author

George Gissing (November 22, 1857 - December 28, 1903) was an English novelist, who wrote twenty-three novels between 1880 and 1903. Although his early works are naturalistic, he developed into one of the the most accomplished realists of the late-Victorian era.

Table of Contents

Acknowledgements
Introduction
A Note on the Text
George Gissing: A Brief Chronology

The Odd Women

Appendix A: Contemporary Reviews

  1. Glasgow Herald 20 April 1893
  2. Saturday Review 29 April 1893
  3. Athenaeum 27 May 1893
  4. Pall Mall Gazette 29 May 1893
  5. Nation (New York) 13 July 1893
  6. Illustrated London News (Clementia Black) 5 August 1893

Appendix B: Attitudes Towards Women and Marriage in Victorian Culture

  1. Sarah Ellis, from The Daughters of England (1842)
  2. Alfred Lord Tennyson, from The Princess (1847)
  3. Coventry Patmore, from The Angel in the House: “The Rose of the World” (1854)
  4. Thomas Henry Huxley, from “Emancipation—Black and White,” Reader (20 May 1865)
  5. John Ruskin, from “Of Queens’ Gardens,” in Sesame and Lilies (1865)
  6. John Stuart Mill, from The Subjection of Women (1869)
  7. Mona Caird, from “Marriage,” Westminster Review (1888)

Appendix C: Debate over the “Woman Question”

  1. Grant Allen, from “Plain Words on the Woman Question,” Fortnightly Review (October 1889)
  2. Bernard Shaw, from “The Womanly Woman,” The Quintessence of Ibsenism (1891)
  3. Eliza Lynn Linton, from “The Wild Women: As Politicians,” Nineteenth Century (July 1891)
  4. Eliza Lynn Linton, from “The Wild Women: As Insurgents,” Nineteenth Century (October 1891)
  5. Mona Caird, “A Defense of the So-Called ‘Wild Women’,” Nineteenth Century (May 1891)
  6. From “Character Note: The New Woman” Cornhill Magazine (October 1894)
  7. Nat Arling, “What is the Role of the ‘New Woman?’” Westminster Review (November 1898)

Appendix D: Women and Paid Employment: The Limitations of Aspirations and the Actualities

  1. Charlotte Brontë, from Shirley (1849)
  2. From “The Disputed Question,” English Woman’s Journal (August 1858)
  3. Evelyn March Phillips, from “The Working Lady in London,” Fortnightly Review (August 1892)
  4. Clara Collet, from “The Employment of Women,” Report to the Royal Commission on Labour (1893)
  5. Frances H. Low, from “How Poor Ladies Live,” Nineteenth Century (March 1897)
  6. Eliza Orme, from “How Poor Ladies Live: A Reply,” Nineteenth Century (April 1897)

Appendix E: Conditions of Work for Men in the White-Collar Sector

  1. James Fitzjames Stephen, from “Gentlemen” Cornhill Magazine (March 1862)
  2. B.O. Orchard, from The Clerks of Liverpool (1871)
  3. Charles Edward Parsons, from Clerks: their Position and Advancement (1876)
  4. Thomas Sutherst, from Death and Disease Behind the Counter (1884)
  5. H.G. Wells, from Kipps (1905)
  6. H.G. Wells, from Experiment in Autobiography (1934)

Appendix F: Map of London (1892)

Selected Bibliography

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews

The Odd Women 2.8 out of 5 based on 0 ratings. 6 reviews.
stephxsu on LibraryThing 19 hours ago
The writing is not too bad, as it reads easily, but the story is pretty mundane and directionless, with women in various stages of late-nineteenth-century feminism circling in or around the institution of marriage, and then ending up exactly where they started. Some critics claim that THE ODD WOMEN is a naturalist novel, in which everything must and will revert back to its original state of entropy. But I never got emotionally invested even in the characters¿ long circle back to their original states. Overall, a mindless, slightly pleasant but mostly forgettable read.
littlebookworm on LibraryThing 3 months ago
Disappointing. Not much else to say really - seems more a work about feminists than a feminist work. The characters spend a lot of time talking and a little time doing; they make no effort to achieve their ideals. With the exception of Rhoda Nunn, all Gissing has actually shown is how susceptible women are to the charms of men and other vices, regardless of what their minds dictate.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago